On March 1, Amazon enacted a policy change that allows third-party sellers to compete for the Buy Box for books in “new condition.”
When you go to a product page on Amazon, the ADD TO CART Buy Box is the default offer. Other used options fall below the Buy Box. Where books are concerned, the default Buy Box has always belonged to the publisher. When you buy a book, Amazon pays the publisher 45% of the list price. This means your purchase is supporting the entity that published the book, namely the publisher, and authors are making a profit (albeit small) every time you buy because the publisher is paying an author royalty for each sale.
Now Amazon is giving that priority spot to third-party sellers… [go to source for more]
For authors and publishers, keywords are a vital tool to aid the visibility of your book on internet searches. Improving that among the millions of books out there is of paramount importance!
Despite what you’ve been hearing, keyword research isn’t dead. Without keywords, there is no SEO… right? Let’s look at the facts.
93% of online experiences in 2016 started with a search, and search starts with words. Keywords will remain relevant as long as people use words to interact with search engines. The only thing that has changed are the additional factors that have influenced how we use keywords for SEO.
The truth is that search engines are no longer looking only at keywords, but also value many other factors. Keywords are now just a miniscule part of the pie. That is not to say that keyword discovery isn’t important. In fact, it is important in the way you go about it: we need to go levels deeper – to the precise level that users are searching for;and search engines are indexing for.
This post will focus on the three main focuses of valuable keyword research in 2017:
(1) user intent
(2) long-tail keywords
(3) Google voice search….. read more
Fair use allows you to use someone’s copyrighted work without permission. However, invoking fair use is not a straightforward matter. Before you use any part of anyone else’s copyrighted material – even for quotation purposes – you have to consider the risks that are involved. After all, would YOU like someone else to use YOUR copyrighted material without asking first?
Hummingbird for Book Publishers. Sell the e-books and audiobooks you publish from your own branded storefront. Missing out on direct to consumer digital sales? With Hummingbird, you can be up and running in minutes and start selling your e-books and audiobooks directly to your readers via your own branded storefront and branded app. Why send your customers to another company’s website? You can even sell the books of other publishers/authors, and get paid the Merchant cut!
The short info you need:
Hummingbird pays 73% of your own titles and 12-23% of the retail price other titles sold from your storefront.
Direct deposit to your bank account.
Looks like there’s no download charges, or tax withholding.
This could well be a decent addition to your portfolio of sales vendors.
As always, do the due diligence on the vendor, and please do make comment of you have experienced them or have other info.
“Turns out there is a lot more to this story, all of it worrying and none of it reflecting well on Amazon. I have a contact at KDP who I emailed two days ago and didn’t get any response. Which is poor, but exactly fits with how Amazon has handled this issue.
The problem is much more serious than outlined already. And Amazon is fully aware of what is happening and is doing very little about it. The only conclusion I can draw is that Amazon doesn’t care.
So here’s what I’ve been hearing over the last 24 hours: the scammer examples I linked to are actually quite tame. The serious guys aren’t just using TOCs to inflate their page reads, but, as I speculated in the post, links to the back of the book, footnotes, and all sorts of other wheezes (like filling books with page breaks, filling books with the same text in 10 different languages – done by Google Translate – and then having a link go to the English version at the back, etc. etc.).”
NOTE: There are numerous updates at the bottom of this article, including responses from Amazon – the latest update being from March 31 as this story continues to develop. The short version i…
Author Earnings has been chronicling the rise of self-publishing on Amazon and is one of the definitive sources on how their sales directly affect the big 5 publishers. Data Guy has been quietly anonymous this entire time, he has been responsible for diving deep into big data and making sense of it for the entire publishing industry. He spoke publicly for the first time at Digital Book World 2016 and here is his entire Power Point presentation.
Nearly two-thirds of children will always want to read print books even though there are ebooks available. Literacy advocate and teacher Donna Rasmussen thinks this is because “We are tactile creatures. We will judge books by their covers and that’s okay,” she said. “We do many creative things with books we can’t with digital, like building a poetry out of book spines.”
Recent research conducted by BookTrust in association with the Open University revealed that 76% of surveyed parents found their children prefer print books for reading for pleasure and 69% prefer print books for educational reading. As for interactive e-books…
“It’s these guys’ worlds. We just post in it and shop in it,” said New York University Professor Scott Galloway of Amazon, Apple, Facebook and Google at Digital Book World 2016. During a talk called “The Four Horsemen,” Galloway argued that these four companies are taking over the world and continually disrupting the publishing ecosystem.
On Wednesday night (February 10), I sat on a panel to kick off the 2016 San Francisco Writers Conference. Its title was “Celebrating Diversity: Opportunities for Writers of Color in Today’s Publishing Landscape.” Weeks ago, when the panel was finalized and I realized I was the only white panelist, I figured I’d been invited because I identify as lesbian, and because I’m aware of publishing’s diversity problem to the level of at least being able to speak about it and own it. It turns out, though, I was misread as hapa, or half-Asian (not an uncommon occurrence). So the panel that was to be an all person-of-color panel ended up with one white girl on it.
Because of this hapa look I have going on, I’ve experienced the smallest sliver of what it feels like to be labeled as “other.” People have told me I’m “exotic-looking,” which is basically a acceptable way of telling someone they look foreign, or different. I’ve been on the other side of a scrutinizing gaze, followed by a probing question: What’s your…